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	<title>Cinemalogue :: Entertainment Reviews, News and Interviews &#187; Retrospectives</title>
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	<description>I went into this movie expecting to hate it and, for the most part, I did.</description>
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		<title>Tales From The Future</title>
		<link>http://www.cinemalogue.com/2009/11/27/tales-from-the-future/</link>
		<comments>http://www.cinemalogue.com/2009/11/27/tales-from-the-future/#comments</comments>
		<pubDate>Fri, 27 Nov 2009 06:35:08 +0000</pubDate>
		<dc:creator>Rubin Safaya</dc:creator>
				<category><![CDATA[Retrospectives]]></category>
		<category><![CDATA[back to the future]]></category>
		<category><![CDATA[george mcfly]]></category>
		<category><![CDATA[marty mcfly]]></category>
		<category><![CDATA[zemeckis]]></category>

		<guid isPermaLink="false">http://www.cinemalogue.com/?p=1832</guid>
		<description><![CDATA[In 1972, while studying film at University of Southern California&#8217;s School of Cinematic Arts, Robert Zemeckis (a classmate of George Lucas and John Milius) filmed an eight-minute short, titled &#8220;The Lift.&#8221; Filmed at the iconic Bradbury in Los Angeles, the project required Zemeckis to use angles, lighting and music to heighten the tension with no [...]]]></description>
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		<title>Closer (2004)</title>
		<link>http://www.cinemalogue.com/2005/08/12/closer-2004/</link>
		<comments>http://www.cinemalogue.com/2005/08/12/closer-2004/#comments</comments>
		<pubDate>Fri, 12 Aug 2005 13:26:35 +0000</pubDate>
		<dc:creator>Rubin Safaya</dc:creator>
				<category><![CDATA[Retrospectives]]></category>

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		<description><![CDATA[<span title="Click the title to read the full commentary.">"Closer" is one of the most brilliantly-written films I've seen in a long time. It's a film where the characters' lives revolve around using sex to hurt each other, but (aside from a rather humorous "conversation"...</span>]]></description>
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		<title>KÃ´kaku kidÃ´tai 2: Inosensu (2004)</title>
		<link>http://www.cinemalogue.com/2005/07/30/ko%cc%82kaku-kido%cc%82tai-2-inosensu-2004/</link>
		<comments>http://www.cinemalogue.com/2005/07/30/ko%cc%82kaku-kido%cc%82tai-2-inosensu-2004/#comments</comments>
		<pubDate>Sat, 30 Jul 2005 23:24:01 +0000</pubDate>
		<dc:creator>Rubin Safaya</dc:creator>
				<category><![CDATA[Retrospectives]]></category>

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		<description><![CDATA[<span class="thumb"><img src="http://www.cinemalogue.com/th-img/GITS230t.jpg" align="right" /></span><span title="Click the title to read the full retrospective.">Mamoru Oshii has transcended the boundary of strict narrative. The conventional westerner will pay attention to the laborious, and at times detached, dialogue that is typical of sci-fi and noir. One might hear a line about dog food, and mistakenly think the... </span>]]></description>
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		<title>American Psycho (2000)</title>
		<link>http://www.cinemalogue.com/2005/07/19/american-psycho-2000/</link>
		<comments>http://www.cinemalogue.com/2005/07/19/american-psycho-2000/#comments</comments>
		<pubDate>Wed, 20 Jul 2005 02:49:13 +0000</pubDate>
		<dc:creator>Rubin Safaya</dc:creator>
				<category><![CDATA[Retrospectives]]></category>

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		<description><![CDATA[<span title="Click the title to read the full commentary.">Initially, I felt that the irony of Patrick Bateman's existence made most sense if it were all in his head...</span>]]></description>
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