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	<title>Cinemalogue :: Entertainment Reviews, News and Interviews &#187; Editorials</title>
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	<description>I went into this movie expecting to hate it and, for the most part, I did.</description>
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		<title>The Loudness Wars -or- Death Magnet: How I Learned to Stop Hearing Anything</title>
		<link>http://www.cinemalogue.com/2010/12/04/the-loudness-wars/</link>
		<comments>http://www.cinemalogue.com/2010/12/04/the-loudness-wars/#comments</comments>
		<pubDate>Sun, 05 Dec 2010 04:13:28 +0000</pubDate>
		<dc:creator>Rubin Safaya</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[ahmad jamal]]></category>
		<category><![CDATA[death magnet]]></category>
		<category><![CDATA[lalo schifrin]]></category>
		<category><![CDATA[loudness war]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[metallica]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[sound recording]]></category>
		<category><![CDATA[steve winwood]]></category>

		<guid isPermaLink="false">http://www.cinemalogue.com/?p=3864</guid>
		<description><![CDATA[The following are Parts I &#038; II of a video editorial on the so-called Loudness Wars—an escalating practice of pumping amplitude levels in sound recordings to the limits of digital media in such a way that induces distortion. Wikipedia&#8217;s entry on the subject may give you some useful background on the subject prior to viewing [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Technology and the Music Industry: Part Two &#8211; Media Going Social</title>
		<link>http://www.cinemalogue.com/2010/09/03/tmi-media-ping/</link>
		<comments>http://www.cinemalogue.com/2010/09/03/tmi-media-ping/#comments</comments>
		<pubDate>Fri, 03 Sep 2010 13:49:46 +0000</pubDate>
		<dc:creator>Rubin Safaya</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[ping]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://www.cinemalogue.com/?p=3524</guid>
		<description><![CDATA[In 1996, I wrote a paper on internet-based music distribution, which I saw as the inevitable evolution of the recording industry. Unfortunately, not many record labels saw it that way at the time, but Apple was already making plans. The roadmap toward a digital appliance-based approach to computing began here. Upon Steve Jobs’ return to [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>A Decade in Music (1969-1979) &#8211; Part I: Get Back</title>
		<link>http://www.cinemalogue.com/2010/04/09/get-back/</link>
		<comments>http://www.cinemalogue.com/2010/04/09/get-back/#comments</comments>
		<pubDate>Fri, 09 Apr 2010 06:01:58 +0000</pubDate>
		<dc:creator>Rubin Safaya</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[classic rock]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[sixties]]></category>

		<guid isPermaLink="false">http://www.cinemalogue.com/?p=2844</guid>
		<description><![CDATA[From 1977, several memories converge into one of the greatest decades of the five I have lived through. While George Lucas put me to sleep with his laboriously-written, but visually groundbreaking, Star Wars, my babysitting cousin could only rock me to sleep with music. I had Steve Miller Band, Kiss, Cheap Trick, Nazareth and Heart [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>The Grammys® Transcript &#8211; Facebook Style</title>
		<link>http://www.cinemalogue.com/2010/02/01/the-grammys%c2%ae-transcript-facebook-style/</link>
		<comments>http://www.cinemalogue.com/2010/02/01/the-grammys%c2%ae-transcript-facebook-style/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 15:30:11 +0000</pubDate>
		<dc:creator>Rubin Safaya</dc:creator>
				<category><![CDATA[Editorials]]></category>

		<guid isPermaLink="false">http://www.cinemalogue.com/?p=2354</guid>
		<description><![CDATA[Watching the 52nd Annual Grammy® Awards, I was on a bit of a tear posting nonstop updates to my friends on Facebook as the show went on. Filmmaker Nina Paley suggested I post the entire collection as an article on Cinemalogue. So here are my comments and observations, unedited: Rubin Safaya No WAY&#8230; GaGa just [...]]]></description>
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		<title>Blood Lust</title>
		<link>http://www.cinemalogue.com/2009/12/11/blood-lust/</link>
		<comments>http://www.cinemalogue.com/2009/12/11/blood-lust/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 19:24:49 +0000</pubDate>
		<dc:creator>Meghan White</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Ann Rice]]></category>
		<category><![CDATA[Bela Lugosi]]></category>
		<category><![CDATA[bella swan]]></category>
		<category><![CDATA[Bram Stoker]]></category>
		<category><![CDATA[Dracula]]></category>
		<category><![CDATA[edward cullen]]></category>
		<category><![CDATA[homoeroticsm]]></category>
		<category><![CDATA[Lestat]]></category>
		<category><![CDATA[stephenie meyer]]></category>

		<guid isPermaLink="false">http://www.cinemalogue.com/?p=1907</guid>
		<description><![CDATA[Did Bram Stoker ever suspect that Dracula would become a cultural touchstone in the evolution of gothic romance? Did he endeavor to revolutionize the horror genre in the same vein as Mary Shelley’s hauntingly humanizing Frankenstein? Did he see a man or a monster in Vlad Tepes when he borrowed from the blood-stained legacy of [...]]]></description>
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		<title>Radio Goo Goo</title>
		<link>http://www.cinemalogue.com/2009/12/02/radio-goo-goo/</link>
		<comments>http://www.cinemalogue.com/2009/12/02/radio-goo-goo/#comments</comments>
		<pubDate>Thu, 03 Dec 2009 00:24:38 +0000</pubDate>
		<dc:creator>Meghan White</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[adam lambert]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[beyonce]]></category>
		<category><![CDATA[gaga]]></category>
		<category><![CDATA[iphone]]></category>
		<category><![CDATA[ipod]]></category>
		<category><![CDATA[itunes]]></category>
		<category><![CDATA[Live Nation]]></category>
		<category><![CDATA[mtv]]></category>
		<category><![CDATA[sony music]]></category>
		<category><![CDATA[universal music group]]></category>
		<category><![CDATA[vevo]]></category>
		<category><![CDATA[viacom]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://www.cinemalogue.com/?p=1853</guid>
		<description><![CDATA[How does one analyze a business model that is sprawled upon shifting sand?   Media pundits and industry insiders are treading with care; there is no longer a magic formula on which to pattern an artist&#8217;s career, no roll-out progression guaranteed to rake in enough profit to repay hefty recording advances.     Careful observation [...]]]></description>
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		<title>For Your Entertainment &#8211; Adam Lambert</title>
		<link>http://www.cinemalogue.com/2009/11/22/for-your-entertainment-adam-lambert/</link>
		<comments>http://www.cinemalogue.com/2009/11/22/for-your-entertainment-adam-lambert/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 05:07:44 +0000</pubDate>
		<dc:creator>Meghan White</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[adam lambert]]></category>
		<category><![CDATA[american idol]]></category>
		<category><![CDATA[for your entertainment]]></category>
		<category><![CDATA[glambert]]></category>
		<category><![CDATA[lady gaga]]></category>
		<category><![CDATA[p!nk]]></category>
		<category><![CDATA[planet fierce]]></category>
		<category><![CDATA[ryan tedder]]></category>

		<guid isPermaLink="false">http://www.cinemalogue.com/?p=1652</guid>
		<description><![CDATA[Adam Lambert can&#8217;t be accused of timidity.   His debut album, For Your Entertainment, hasn&#8217;t re-invented the acoustic wheel, but his bucking of any one genre is a risk most non-established artists would shrink from.     In an industry where pop icons themselves are branded as a commodity, music often takes a backseat to [...]]]></description>
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		<slash:comments>28</slash:comments>
		</item>
		<item>
		<title>The Evolution of Cinematic Violence</title>
		<link>http://www.cinemalogue.com/2005/07/19/the-evolution-of-cinematic-violence/</link>
		<comments>http://www.cinemalogue.com/2005/07/19/the-evolution-of-cinematic-violence/#comments</comments>
		<pubDate>Wed, 20 Jul 2005 03:06:31 +0000</pubDate>
		<dc:creator>Rubin Safaya</dc:creator>
				<category><![CDATA[Editorials]]></category>

		<guid isPermaLink="false">http://www.cinemalogue.com/?p=7</guid>
		<description><![CDATA[Of Stanley Kubrick&#8217;s A Clockwork Orange, Pauline Kael wrote: The movie&#8217;s confusing &#8212; and, finally, corrupt &#8212; morality is not, however, what makes it such an abhorrent viewing experience. It is offensive long before one perceives where it is heading, because it has no shadings. Kubrick, a director with an arctic spirit, is determined to [...]]]></description>
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